Crown Gospel Awards Organisers Under Fire as Artists Allege Unpaid Performances
Organisers of the Crown Gospel Music Awards are facing serious criticism after several gospel artists allegedly claimed they were not paid for their performances at the prestigious event.
According to reports, artists who participated in the 18th Crown Gospel Music Awards have accused organisers of failing to honour payment agreements, with some alleging that communication from organisers has been limited or completely absent. The controversy has sparked frustration within the gospel music industry, where the awards are regarded as one of the most respected platforms celebrating gospel talent.
Sources indicate that performers were promised payment for their appearances, with some claims suggesting artists were expecting agreed fees but have yet to receive the full amounts owed. The situation has raised concerns about transparency and accountability in the management of major music events.
The Crown Gospel Awards, organised by World Gospel Powerhouse, have historically been recognised as a major celebration of gospel excellence in South Africa. The awards attract top gospel musicians and industry professionals and are often broadcast nationally, further increasing their importance within the entertainment sector.
Previous reports have also highlighted similar concerns about delayed payments affecting artists, winners, and service providers linked to the awards. Some industry insiders believe these ongoing challenges could negatively impact the reputation of the event if not addressed promptly.
The controversy comes at a sensitive time for the awards, following the passing of founder Zanele Mbokazi-Nkambule, whose leadership played a major role in establishing the event’s legacy. The 2025 ceremony was presented as a continuation of her vision to uplift gospel music across South Africa and the continent.
Artists and supporters are now calling for organisers to respond publicly and resolve the matter, stressing the importance of respecting performers’ work and maintaining trust within the gospel music community.
As the situation continues to unfold, many within the industry are hoping for clarity and a resolution that will protect both artists and the reputation of one of Africa’s most recognised gospel music events.

